It’s been quite a while since I last watched a Sinhala film in a cinema. But this weekend, I decided to change that — and I couldn’t have chosen a better film than Rani (රාණි), the latest creation that’s making waves across Sri Lankan cinema.

From the very first scene, Rani pulls you into a story that’s as emotional as it is political — a story rooted in courage, conviction, and the relentless pursuit of justice.

The Story That Demands to Be Told

Based on the real-life story of Dr. Manorani Saravanamuttu, the film sheds light on a woman who turned unimaginable grief into a lifelong mission for truth. Her son, journalist Richard de Zoysa, was abducted and killed in 1990 during one of Sri Lanka’s darkest chapters — and Rani captures how a mother’s pain transformed into activism, resilience, and moral strength.

What struck me most was how Asoka Handagama, the director, brings this story to the screen — not with melodrama or exaggeration, but with a rawness that feels uncomfortably real. Every frame, every silence, every tear feels intentional. You don’t just watch Rani; you witness it.

Performances That Stay With You

And then, there’s Swarna Mallawarchchi — an icon of Sri Lankan cinema, delivering what I believe is one of her most powerful performances yet. Her portrayal of Dr. Saravanamuttu is quiet but commanding, dignified yet deeply human. There’s a restraint in her acting that speaks volumes — it’s not about dialogue, it’s about presence.

The supporting cast complements her beautifully, each performance layered with authenticity and emotional precision. It’s been a long time since I’ve seen this level of performance depth and cinematic craftsmanship in a local film.

Cinematic Brilliance

Technically, Rani stands out. The cinematography is stunning — moody, symbolic, and never intrusive. The pacing, sound design, and visual language all work in harmony to keep you emotionally invested without distraction.
It’s clear that this isn’t just another local release — it’s a film with purpose, made with thought, discipline, and a deep sense of responsibility to history.

Why It Matters

Sri Lankan cinema has long needed stories like this — bold, truthful, unapologetically reflective. Rani isn’t just a film; it’s a mirror. It makes you think about justice, grief, memory, and what it means to stand up when silence is easier.

As someone who hasn’t watched a Sinhala film in quite a while, this one reminded me why cinema matters — because when done right, it doesn’t just entertain; it moves you, educates you, and stays with you.

Kudos to Asoka Handagama, Swarna Mallawarchchi, and everyone behind this production. You’ve created something timeless — something that will be remembered as a landmark in Sri Lankan storytelling.

If you haven’t watched Rani (රාණි) yet, do yourself a favor — go watch it soon.
You’ll walk out of the theatre quieter, but more awake than before.